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Degrees of Existence

by Dimmer

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1.
Degrees of Existence (free) 04:29
it's just degrees of existence whatever you're in for whatever the preference why you looking at me for ? i don't know the answer i dunno know the answer it's probably different it's just degrees of existence don't let anybody else come in and change your mind don't let anybody change your mind despite all the critics whatever you're after whatever the moment sourer or sweeter, shallow or deeper, harder or faster whatever the instant you've gotta run with it it's just degrees of existence don't let anybody else come in and change your mind don't let anybody change your mind one man's coal is another man's gold you see beauty in curious holds you're carrying on, where, i don't know but you've gotta roam where you've gotta roam and we'll agree on the difference we can ever after so send me a letter from somewhere amazing that's not so amazing that you swear is better i'll figure an answer we'll agree on the difference it's just degrees of existence don't let anybody else come in and change your mind don't let anybody change your mind
2.
i've been hearing all kinds of history got scared by ghosts in the corner yeah i'm sure they have their stories but they can stop before they start what i don't know can't concern me safe in a state of suspension and i know where i wanna be told and i know where i don't x2 and i might have heard a rumour but i didn't let it get too far i've been turning down information facts that are best left a mystery cos i know where i wanna be told and i know where i don't i know where i wanna be told and i know where i don't
3.
Comfortable 03:43
you look so comfortable like a chair for sitting in or a bed for lying on where i can rest my head feeling sure and confident and away from emptiness if there's room available if you ever invite me in you look so comfortable like the arms of tenderness like the arms of tenderness a state worth being in in an age of weariness you look so comfortable you look so comfortable
4.
Cold Water 05:15
score giver form rater name maker note taker tell taler naysayer but what have you ? ever ? put something better on instead of cold water game breaker gate keeper scene broker stone turner a fake spotter all knower but what have you ? ever ? put something better on instead of cold water sideliner part timer bench warmer fence sitter hair splitter cold water bench sitter hair splitter cold water but what have you ? ever ? put something better on instead of cold water but what have you ? ever ?
5.
built you up with a slip of the tongue and there you were you had to come but you can't cut through saw you out 'til you were done drowned you out 'til i went numb drowned you out - dumb you can't cut through and i'm ready now more than i ever was what's that far off sound ? i cannot tell i cannot tell you can't cut through
6.
i was knocking on your door while you were shouting out the chorus saying they better get it better yeah you sure put 'em in their place and waking every morning to relive yet another night of horror and all the bits of shrapnel that came flying from your face... who's gonna be left, who's gonna wanna take you by the hand and help you get through the dark night of yourself who's gonna be left, who's gonna wanna hang around and help guide you through the dark night of yourself looks like they've let one of them out looks like they've let one of them out the dark night of yourself all the crashing, all the banging, just means people cease to hear you it's just crashing, it's just bashing, you just become this bunch of noise a ruckus in the playroom who bust nearly all that is about him some trouble in the playroom yeah i guess you're just a natural naughty boy who's gonna be left, who's gonna wanna take you by the hand and help you get through the dark night of yourself who's gonna be left, who's gonna wanna hang around and help guide you through the dark night of yourself the dark night of yourself
7.
Wrong Bus 04:01
oooohhhhhhmmmmm.....
8.
Bless 04:18
we came as a favour to pick up the blind to look like the healer to put them in line and pure's our vision it's plain black and white the heathen will see when we shed them the light bless they mean no wrong bless them they mean no harm we go to those places that they've not got quite right point where the mistake is put our sun in their sky bless they mean no wrong bless them they mean no harm and let them hope that tommorrow can live up to the hype let them hope all they like bless they mean no wrong bless them they mean no harm bless
9.
we got lost for a little bit crossed our wires had brand new ways of running counterfeits of the way you are how you feel analogue real to real solid state face to face i'm feeling that we got put on a little chip forgot about what always is the future days have got a skip in them going one step forwards, two back from the way you are how you feel analogue real to real solid state face to face i'm feeling that and all that static is meaningless fuzz online it's just pie in the sky ain't saying anything like the way you are how you feel analogue real to real solid state goodness sake ! - i'm feeling that analogue real to real... the way you are the way you are the way you are the way you are the way you.......are.
10.
and you're too far gone to care your shoes hardly have hit the ground been connecting all the sets getting all that you can get yeah you've really put the hammer down best you keep moving if you stop then it just makes an empty sound if you're set to straight ahead you don't have to turn around yeah you're too far gone for that you're too far gone to... do you really find it so easy ? does it all just fall all about you ? do you wander through without seeing ? or in a quiet moment do you know ? all the questions you can only ask yourself you know alone when the earth stops moving and it's orbit of you has slown down when the wheel stops turning you'll be too far gone to care too far gone to care and you wouldn't wanna turn around
11.
what would i do without you to look over me ? where would i be without you to look over me ? where would i go but right out of control ? i don't know where i would be without you to look over me i'd be flailing i'd be misshapen i'd be falling out of line i'd be mistaken.. and if the storms should still appear like how you warned like you said and prophesised imagined into being.. what would i do without you to look over me ? where would i be without you to look over me ? where would i go but right out of control ? i don't know where i would be without you to look over me
12.
Lucky One 04:04

about

well, album number 4 - "Degrees Of Existence"...some random, and possibly long winded, thoughts by SHAYNE CARTER

the album was written on the back of some intensive touring - a couple of trips to the u.s, our first forays to australia - probably the most prolific stretch of live performance by the dimmer band -which up until this point had been mostly a studio affair and quite low key performance wise - ever. while the last album also featured a band, that line up had two weeks of rehearsal to prepare. the band that recorded this album has been together 2 or 3 years and we've developed into a hot, and together, unit. sorry but the dimmer band 'rocks'. i wanted to capture that on this record. i felt it was a drag that the dimmer records thus far didn't really represent the roar and the outerspaceness we were/are capable of live. i'm quite happy that those qualities have been captured here.

i also wanted to make a return to the more experimental vibe evidenced on our first album which remains my favourite dimmer record to this point. i liked that record because it was brave and unafraid and because it didn't sound like anything, or anyone, else. while "degrees of existence" is sonically a different beast altogether i think it has that sense of trying things while still dealing in 'songs'. i'm not interested in music that goes from A to B to C in a fashion you've heard a million times before. i'm not interested in pastiche or ripping anybody off. i'm not interested in 'irony'. i'm also not interested in becoming a 'family favourite' , a musician a 'country can be proud of', going on game shows or gradually diluting my music as i weary with jadedness and age. fuck that. i wanna make the kind of music that i'd like to hear - and that involves originality, vitality, and, yes, the sense of trying things.

thank you james, kelly and dino for the soul and effort you guys have poured into this music. and to gary and mikey who stepped up to the drummer plate when dino went to berlin. ( i feel lucky that i had access to three of the finest drummers in new zealand - well anywhere really - people of immaculate taste and execution ! )
every musician on this record knew where the music was coming from and finding people with that level of perception and intuition ain't so easy ..

credits

released August 19, 2009

Recorded in Auckland NZ 2008/09
Produced by Shayne Carter
Engineered by Nick Roughan and Dimmer
All songs Shayne Carter

Shayne Carter - vocals, guitars, keys, bass
James Duncan - guitar, keys, bass
Kelly Steven - bass, backing vocals, flute
Dino Karlis - drums, percussion

With
Gary Sullivan - drums on 4 & 9
Michael Prain - drums 2 & 8
Tom Watson - trumpet 7
Rebekah Davies, Anna Coddington, Hannah Curwood - backing vocals 10

Mastered by Angus Mcnaughton
Artwork by Kelly Steven

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